• • Arrow • Apollo Twin MkII • Apollo x6 • Apollo x8 • Apollo x8p • Apollo x16 • Thunderbolt 3 Option Card • Apollo Twin USB • Apollo 16 • Apollo 8p • Apollo 8 • Thunderbolt 2 Option Card • Apollo FireWire • • • UAD-2 Satellite • UAD-2 Satellite USB • UAD-2 Satellite FireWire • UAD-2 Live Rack • UAD-2 PCIe Cards • • • OX Amp Top Box • Teletronix® LA-2A • 2-610 Dual Channel Tube Preamplifier • LA-610 MkII • 1176LN • 4-710d Four-Channel Tone-Blending Mic Preamp w/ Dynamics • 6176 • 710 Twin-Finity™ • SOLO/610 • •. A longtime secret weapon for audio professionals, the Sonnox Oxford Inflator does what so many dynamics processors only pretend to do — increase the apparent loudness of your mix or individual tracks, without audibly affecting sonic quality or reducing dynamic range. The Inflator can add power, warmth, and presence to your mix, providing virtual headroom above digital maximum, while maintaining musical character. The proven answer to today’s heavily compressed, 'louder-is-better' mixes, the Inflator can deliver louder mixes without the pumping and over-saturation commonly associated with compressors. So you can add loudness to even heavily squashed or compressed material, or add musicality and apparent dynamic range to previously clipped signals. Is It Compression? Bibleworks 10 iso. I'm not sure what this plug in does. Programma optimizacii raskroya brevna.

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I tried it out to help control loudness of a digital drum mix, and was sold after the first try. The average power level of the tracked signal can appear to remain low, yet the perceived loudness of mix is very in your face and, in fact can sound like it is over clipping levels A quick glance at the meter shows that isnt so. Nonetheless, unattentive use of this plug in can result in distortion and clipping, and I find this very harsh.

I prefer using it as a loudness or boost; I;m still experiementing where in the chain to use this, though it appears to best be used at the latest stages of mix. I also use it on music playback which can add a very nice overall loudness to the music at parties, etc. This is one of those 'does one thing and does it well' plug ins that comes in really handy. I've used it on a few final mixes now and the clients have all smiled so far when they get the on / off demonstration.

Not one single person has as yet said. I haven't read the manual yet, so I probably should so I can get the most out of it, but I think it's another great UAD-2 tool that I'll use daily. I see so many negative reviews here from cheapskates moaning about the cost of these plugs but c'mon guys, we're saving freaking thousands of dollars using these great plug ins instead of having to buy the hardware units that don't sound any different generally. This tech is just plain brilliant, especially when used with an Apollo.

A different path to the maximizer effect The Inflator is another path to Maximizing. Since uses a different algorithm than the P. Max, is sounds different - more 'Metal' than 'Jazz', more modern, more surgical, slightly less 'tubey'. It is easier to get too heavy-handed with the Inflator, but it is a good alternative to the P.

Max for Mastering. I also found less use for the Inflator on mix busses and individual instruments than the P. As a mastering engineer, it is a great alternative to the P. Max and other 'maximizers', harmonic enhancers and 'Exciters'. It definitely has a mature sound - no shoddy programming here.