Dream Theater Six Degrees Of Inner Turbulence Rar Download
Released January 29, 2002 ( 2002-01-29) Recorded March–August 2001 Studio in, Length 96: 17, chronology (2001) Six Degrees of Inner Turbulence (2002) (2003) Professional ratings Review scores Source Rating (B) (favorable) 411mania.com Six Degrees of Inner Turbulence is the sixth full-length studio album by band, released as a double-disc album on January 29, 2002 through. Excluding the EP, it is the first Dream Theater album to feature a. It is also their second longest studio album to date, after. All songs from it have been played live to date. Contents • • • • • • • • • • • • • Concept [ ] The recording is a type of wherein the five songs which comprise the first disc explore different themes of lifetime struggle, such as alcoholism, loss of faith, self-isolation, sanctity of life and death.
The sixth song—a 42-minute piece occupying the second disc, separated into eight tracks—explores the stories of six individuals suffering from various mental illnesses. Particularly represented are and,,,. Furthermore, the title of the album may also allude to the fact that each song on the album could be seen as a different form of inner turbulence, with the six tracks making another reference to the six degrees, along with the apparent reference to the. The musical styles of each section of the title track are direct reflections of the band's large variety of influences.,, and styles are present within the track.
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Songs [ ] • The first track of the album, ', is the beginning of the, dealing with Mike Portnoy's story of rehabilitation from, continued in tracks on subsequent albums ('This Dying Soul' on, 'The Root of All Evil' on, 'Repentance' on and 'The Shattered Fortress' on ). 'The Glass Prison' is composed of three parts, mirroring the first three of the twelve steps of the program by for rehabilitation of alcoholics. Furthermore, it begins with the that ended 'Finally Free' on. • 'Blind Faith' features lyrics written by James LaBrie about questioning religious belief. It is the second longest song for which LaBrie has contributed lyrics to date, the longest being 'Sacrificed Sons' from. It was also the first time he had written lyrics for more than one song on an album. The next time would also be on Octavarium.
• In the song 'Misunderstood', John Petrucci wrote and played the guitar solo, and then reversed it. He then learned how to play this reversed version, and after recording it, reversed it once more.
This resulted in a solo like the original but with a unique twist to the way the notes sounded. His use of such a technique was predated by, on the song '. This track is in its shorter radio edit form on the cassette edition. • 'The Great Debate' is intended to be a non-partisan song dealing with the topic of. It was originally titled 'Conflict at Ground Zero' based on the lyrics in the chorus but was changed at the last minute due to the terrorist attack on New York City. Producers and were actually in a studio conducting final mixes of the album on the day in question and made the change when all of the news reports started to refer to the site as 'Ground Zero.'
• Lyrics for the song 'Disappear' were written by James LaBrie about the subject of death; it was originally titled 'Move On'. This track is omitted entirely from the cassette edition. • The sixth song, ', which makes up the entire second CD (albeit split into eight separate tracks), is the longest song Dream Theater have recorded to date. While recording, they wanted to keep the song at 20 minutes, but more and more ideas came which resulted in the length doubling. Realizing that they would have to cut 'Disappear' and 'Misunderstood' to keep the album at one CD, their record label was now open for the idea of a double album, something the band had previously been denied when recording for former label EastWest. Despite this, the cassette edition reduced 'Misunderstood' to its radio edit version and omitted 'Disappear' entirely. • The last chord of 'Six Degrees of Inner Turbulence' is used to open 'As I Am' on the next album, continuing a chain which ended with Octavarium.